Westbury White Horse

01/09/2018
A sunlit subject with a dark, stormy sky behind it usually makes dramatic lighting so it is a combination I often seek. For this image I used the classic compositional gambit of the main subject (Westbury White Horse) on one intersection of thirds and the foreground interest (a conveniently situated white cottage) on the opposing intersection of thirds. It has been done countless times before - because it works!